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Kodak Vision2 100T 5212 - 400' - 35mm, Arri, Aaton - Rare stock - My Last Roll!

$ 131.97

Availability: 91 in stock
  • Model: 35-III 35-3 BL3 BL4
  • All returns accepted: ReturnsNotAccepted
  • Condition: New
  • MPN: Does Not Apply
  • Series: 35-3 35-III BL4 BL3
  • Country/Region of Manufacture: United States
  • Format: 35mm Motion Picture
  • Brand: Arriflex
  • Type: 35mm

    Description

    Kodak Vision2 100T 5212 - 35mm, Arri, Panavision - Rare stock - NEW - Unopened
    Kodak's highest resolution negative film stock ever!
    Mounting processing and scanning fees on my latest project are forcing me to let go some of my prized film stocks
    .
    I'm currently down to only 1 remaining roll of the 5212
    .
    This 100T has been stored under the same climate-controlled conditions that I keep all my shooting stock and should be in fine shape.
    No longer in production, the tungsten-balanced 5212 was hands down Kodak's finest-grained motion picture film in its storied history.
    As is customary with expired stock (and all negative film stocks in general), always overexpose at least one stop.
    Free shipping within the continental U.S. and I always ship out within 2 days, oftentimes sooner.
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    NOTE:
    Due to mounting costs on my feature film project, all equipment and assets not presently being utilized need to be turned back into spendable assets ASAP to cover stock, processing and scanning fees. I'll be listing many more items in the near future, all priced to sell!
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    Thanks for looking!
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    NOTE: All proceeds from auction sales are being devoted entirely to the creation of my first feature length film. Set in the 1960's, the flick is a sentimental ode to classic Japanese sci-fi cinema. Despite its minuscule budget, the project is jam-packed with giant mutated meanies, flying saucers, classic hot rods and daringly-dressed vixens. All realized with traditional 35mm cameras and practical, old school FX.
    Absolutely NO CGI whatsoever!
    Should any kind person purchase one of my items, they'll be directly funding my small-scale efforts to keep the fast-vanishing art of celluloid filmmaking alive.